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Gundega Šmite: discover Light seeking Light

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Born in Riga, Latvia, Gundega Šmite graduated from the composition department of the Jāzeps Vītols Latvian Academy of Music. She has participated in workshops with renowned composers such as Salvatore Sciarrino, Fabio Nieder, Philippe Hurel, Oscar Strasnoy and Unsuk Chin. Since 2007, she has taught at the Latvian Music Academy and held various leadership positions with the Latvian Composers’ Union. Her works have received awards, including the Grand Music Award for new composition of the year. She currently lives in Thessaloniki, Greece. Her compositions have been performed worldwide at renowned festivals such as Klangspuren Schwaz for New Music and Baltic Sea Festival.

About the composition

Šmite: “Light has fascinated me since I became a composer. Light, as a physical substance, philosophical idea, source of life, and symbol of hope and renewal, is a never-ending source of inspiration.” Šmite composed Light seeking light in response to five lines from William Shakespeare’s play Love’s Labour’s Lost. In Shakespeare’s play, these lines are expressed humorously. A person who looks too hard for the light of truth will only be blinded by it. Šmite believes that a humorous way of expressing wise things does not detract from the depth of the content: “in my composition, I tried to illuminate it through different layers of choral sound.” “More important than finding the light of truth is the process of seeking this light.

It can be a lifelong journey in which you find light and at the same time lose it again or see it much further away-light seeking light,” agrees Šmite.

la femme lumineuse

Šmite’s Light seeking light can be experienced during concert series La femme lumineuse, from Sept. 19 to 29. Amid other works exploring the themes of light and darkness within this concert’s program, this piece, inspired by Shakespeare’s lines about the search for truth, explores the duality of light and shadow through a layered and rich choral sound.

This piece contrasts with the other works in the program, such as Karin Rehnqvist’s När natten skänker frid, which explores the simplicity and serenity of night, and Adrianna Kubica-Cypek’s L’hiver, which portrays winter with a hypnotic and somber beauty. Combined with Kaija Saariaho’s Nuits, adieux, Judith Bingham’s The Darkness is no Darkness, and the other works, Light seeking Light contributes to a thematically rich and visually and emotionally layered experience.

It offers a reflection on the search for light as a metaphor for the search for truth and insight, and highlights the diversity and depth of the program.